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Del the Funky Homosapien likewise specifies that rap was used to refer to talking in a stylistic manner in the early 1970s: "I was born in '72 ... at that time what rapping implied, generally, was you attempting to communicate somethingyou're attempting to convince someone. That's what rapping is, it remains in the way you talk." Roots The Memphis Container Band, an early blues group, whose lyrical content and rhythmic singing predated rapping.

Centuries before hip-hop music existed, the griots of West Africa were delivering stories rhythmically, over drums and sparse instrumentation.  dream  have been acknowledged by many modern artists, contemporary "griots", spoken word artists, traditional news sources, and academics. Rap lyrics and music become part of the "Black rhetorical continuum", continuing past traditions of expanding upon them through "innovative use of language and rhetorical designs and techniques".

Grammy-winning blues musician/historian Elijah Wald and others have argued that the blues were being rapped as early as the 1920s. Wald presumed as to call hip hop "the living blues". A noteworthy documented example of rapping in blues was the 1950 tune "Got ta Let You Go" by Joe Hill Louis.

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Not simply jazz music and lyrics however likewise jazz poetry. According to John Sobol, the jazz artist and poet who wrote Digitopia Blues, rap "bears a striking similarity to the evolution of jazz both stylistically and officially". Boxer Muhammad Ali expected components of rap, frequently using rhyme schemes and spoken word poetry, both for when he was trash talking in boxing and as political poetry for his activism outside of boxing, leading the way for The Last Poets in 1968, Gil Scott-Heron in 1970, and the introduction of rap music in the 1970s.

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A similar tradition is the patter song exhibited by Gilbert and Sullivan but that has origins in earlier Italian opera. "Rock Island" from Meridith Wilson's is entirely spoken by an ensemble of travelling salespersons, as are most of the numbers for British star Rex Harrison in the 1964 Lerner and Loewe musical.